Hello! I'm not dead, just quiet.
It's now spring in Vermont. I've come out of relative art hibernation and it's time to get ready for the sculpture festival season!
The last several years I've been incorporating a lot of technology in my art. This is neither good nor bad; just a thing. This summer, though, I'm going to pull back a bit from the hardcore tech like I did last season. The flashing lights are fun and electronics has a place in my future, a bolt in my quiver, but for now I'm feeling like going back and exploring my plastic roots.
The above assemblage includes a PVC piece from two years ago, a bit of hardware cloth, some random metal bars, and a few pine boughs.
Well, maybe. I've been flying a drone for a few months now - In fact, I've got my commercial operator's license. So technology is going to continue to have a significant impact on my art this season. The above image is based on several hundred photographs of Zion's Union Church in Maxatawny, Pennsylvania. The images were post-processed through a photogrammetry program to create a 3D model of the church. I dropped the model on some clouds from elsewhere (over I-91 in Hartland, Vermont, if you must know).
I spent some time this winter exploring how much fun it is to have a red car in the monochromatic winter landscape.
I sold the red car in March, though.
I love the serendipity of the burnout rubber mark shape where I happened to park. The boot was open so one can read my license plate.
This is the Black River, just south of Downers in Vermont.
Sorry for the radio silence. I'll try to keep you updated.